Lavinia

Detalles de la creación

Formato: Novela

Título original: Lavinia

Autoría: Ursula K. Le Guin

Año de publicación: 2008

Sinopsis:

[EN] In The Aeneid, Vergil’s hero fights to claim the king's daughter, Lavinia, with whom he is destined to found an empire. Lavinia herself never speaks a word. Now, Ursula K. Le Guin gives Lavinia a voice in a novel that takes us to the half-wild world of ancient Italy, when Rome was a muddy village near seven hills.
Lavinia grows up knowing nothing but peace and freedom, until suitors come. Her mother wants her to marry handsome, ambitious Turnus. But omens and prophecies spoken by the sacred springs say she must marry a foreigner ― that she will be the cause of bitter war ― and that her husband will not live long. When a fleet of Trojan ships sails up to the Tiber, Lavinia decides to take her destiny into her own hands. And so she tells us what Vergil did not: the story of her life, and of the love of her life. [Texto de contraportada, ed. Mariner Books]

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Edición original: 01-510-1424-8 [2008], Harcourt

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Autoría: Ursula K. Le Guin

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Bibliografía:

Estudios de Tradición y Recepción Clásica

BROWN, Sarah A. (2012), “Science fiction and classical reception in contemporary women’s writing”, Classical Receptions Journal 4 (2), 209-223.
BUGADA, Gabriele (2019), “Audire et Reddere Voces. La traducción como diálogo y Translatio en Lavinia de U. Le Guin”, Liburna 14, 67-81.
BYRNE, Deirdre (2012), “Ursula K. Le Guin's Lavinia: A dialogue with classical Roman epic”, English Academy Review: Southern African Journal of English Studies 29 (2), 6-19.
COX, Fiona (2011), “Ursula Le Guin”, en Sibylline Sisters: Virgil’s Presence in Contemporary Women’s Writing, Oxford: Oxford University Press, 247-263.
CRISTÓBAL, Vicente (2015), “Lavinia, de Ursula K. Le Guin, una novela virgiliana”, Cuadernos de Filología Clásica. Estudios Latinos 35 (2), 363-376.
HAYDOCK, Nickolas A. (2018), “Virgil Mentor: Ursula Le Guin’s Lavinia”, en R. Simms (ed.), Brill’s Companion to Prequels, Sequels, and Retellings of Classical Epic, Leiden: Brill, 375–392.
LINDOW, Sandra J. (2009), “Lavinia: A Woman Reinvents Herself in Fact and/or Fiction”, Journal of the Fantastic in the Arts 20 (2), 221-237.
MILLER, T. S. (2010), “Myth-remaking in the shadow of Vergil: the captive(-ated) voice of Ursula K. Le Guin’s Lavinia”, Mythlore 29 (1/2), 29-50.
PROVINI, Sandra (2014), “L’épopée au féminin : de l’Énéide de Virgile à Lavinia d’Ursula Le Guin” en M. Bost-Fievet & S. Provini (eds.), L’Antiquité dans l’imaginaire contemporain. Fantasy, science-fiction, fantastique, Classiques Garnier, 81-100.
REA, Jennifer A. (2010), “Pietas and post-colonialism in Ursula K. Le Guin’s Lavinia”, The Classical Outlook 87 (4), 126-131.

Otros estudios

ERLICH, Richard D. (2008), “A Longish Note on Ursula K. Le Guin’s Lavinia”, Science Fiction Studies 35 (2), 349-352.
HYNES, Catherine (20013), “Does Not Fempute”: A Critique Of Liberal And Radical Feminism In Three Novels By Ursula K. Le Guin, Halifax: Dalhousie University (Trabajo de Fin de Grado).
ROSEN, Jeremy (2015), “An Insatiable Market for Minor Characters: Genre in the Contemporary Literary Marketplace”, New Literary History 46 (1), 143-163.

Última modificación: CristinaSalcedo-6, Feb. 6, 2024