Formato: Novela
Título original: The Silmarillion
Autoría: John Ronald Reuel Tolkien
Año de publicación: 1977
Sinopsis:
The Silmarillion (2021)
The Silmarillion is the core of J.R.R. Tolkien’s imaginative writing, a collection of narratives ranging in time from the Elder Days of Middle-earth, through the Second Age and the rise of Sauron, to the end of the War of the Ring.
They are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the Elves made war upon him in his impenetrable fortress in Angband for the recovery of the Silmarils, three jewels containing the last remaining pure light of Valinor, seized by Morgoth and set in his iron crown.
Accompanying these tales are several shorter works. The Ainulindalë is a myth of the Creation, and in the Valaquenta the nature and powers of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as told in The Lord of the Rings.
Tolkien could not publish The Silmarillion in his lifetime, as it grew with him, so he would leave it to his son, Christopher, to edit the work from many manuscripts and bring his father’s great vision to publishable form, so completing the literary achievement of a lifetime. This special edition presents anew this seminal first step towards mapping out the posthumous publishing of Middle-earth, and the beginning of an illustrious forty years and more than twenty books celebrating his father’s legacy.
Also included is a letter by J.R.R. Tolkien written in 1951 that provides a brilliant exposition of the earlier Ages, and almost 50 full-colour paintings by Ted Nasmith, including some of which appear here for the first time.
‘How, given little over half a century, did one man become the creative equivalent of a people?’
Guardian
[Sinopsis en el reverso de la portada de la edición ilustrada de tapa dura de HarperCollins]
El Silmarillion (2009)
El Silmarillion cuenta la historia de la Primera Edad, el antiguo drama del que hablan los personajes de El Señor de los Anillos, y en cuyos acontecimientos algunos de ellos tomaron parte, como Elrond y Galadriel... Una obra de auténtica imaginación, una visión inspirada, legendaria o mítica, del interminable conflicto entre el deseo de poder y la capacidad de crear.
“Invitando a que se lo compare con las mitologías inglesas, alcanza la grandeza de un auténtico mito.”
Financial Times
“Asombra que un solo hombre, en poco más de medio siglo de trabajo, haya llegado a convertirse en el equivalente creativo de todo un pueblo.”
The Guardian
[Contraportada de la edición de bolsillo de Minotauro]
Locus Award, Fantasy Novel: Winner, [1978]
Español, El Silmarillion
Francés, Le Silmarillion
Italiano, Il Silmarillion
Portugués, O Silmarillion
Alemán, Das Silmarillion
Edición original: None [1977], George Allen & Unwin
Barcelona [2009], traducido al Español, por Rubén Masera y Luis Domènech (Ediciones Minotauro), con isbn: 978-84-450-7753-5
París [2021], traducido al Francés, por Daniel Lauzon (Christian Bourgois), con isbn: 978-2267044706
Milán [2004], traducido al Italiano, por Francesco Saba Sardi (Bompiani), con isbn: 978-8845232930
Sao Paulo [2009], traducido al Portugués, por Waldéa Barcellos (Martins Fontes), con isbn: 85-336-1165-X
Stuttgart [2007], traducido al Alemán, por Wolfgang Krege (Klett-Cotta), con isbn: 978-3-608-93245-4
None [1992], traducido por None (HarperCollins), con isbn: 9780261102736
None [2021], traducido por None (HarperCollins), con isbn: 9780008433949
Autoría: John Ronald Reuel Tolkien
Fantasía
Aristóteles , Poética [Eilmann 2021; NdR]
Catulo , Poemas [Pezzini 2022: 26-27]
Hesíodo , Trabajos y días [Pezzini 2022: 27-28; NdR]
Homero [Tolkien 2023: carta 131, p. 214]
Platón , Critias [Tolkien 2023: carta 154, p. 293; carta 227, p. 432; carta 257, p. 487; carta 276, p. 505; Delattre 2007; Kleu 2021]
Platón , Timeo [Tolkien 2023: carta 154, p. 293; carta 227, p. 432; carta 257, p. 487; carta 276, p. 505; Delattre 2007; Kleu 2021]
Ovidio , Metamorfosis [Pezzini 2022: 31; NdR]
Sófocles , Edipo Rey [Tolkien 2023: carta 131, pp. 209-210; Librán Moreno 2015; Eilmann 2021]
Sófocles , Áyax [Carreño Ramos 2023: 48-50]
Virgilio , Eneida [Bruce 2012]
Virgilio , Geórgicas [Tolkien 2023: carta 153, pp. 287-288; Astrup Sundt 2021: 170-177]
Tucídides , Historia de la guerra del Peloponeso [Clare 2021: 41-57]
Anónimo , Saga völsunga [Tolkien 2023: carta 131, pp. 209-210]
Anónimo , Sir Orfeo [Astrup Sundt 2021: 176-177]
Elias Lönnrot , Kalevala [Tolkien 2023: carta 131, pp. 209-210]
Anónimo , Völuspá
Ignatius Donnelly , Atlantis: The Antediluvian World [Kleu 2021: 208-209]
Edward Gibbon , The History of the Decline and Fall of the Roman Empire [Cilli 2019: 95-96; Harrisson 2021: 341]
Mary Renault , The King Must Die [Williams 2021: 29-31]
William Scott-Elliot , The Story of Atlantis. A Geographical, Historical and Ethnological Sketch [Kleu 2021: 209]
J. R. R. Tolkien, autor, en The Letters of J.R.R. Tolkien (2023)
Detalles: “They [los Valar] are ‘divine’, that is, were originally ‘outside’ and existed ‘before’ the making of the world. Their power and wisdom is derived from their Knowledge of the cosmological drama, which they perceived first as a drama (that is as in fashion we perceive a story composed by some-one else), and later as a ‘reality’. On the side of the mere narrative device, this is, of course, meant to provide beings of the same order of beauty, power, and majesty as the ‘gods’ of higher mythology, which can yet be accepted – well, shall we say baldly, by a mind that believes in the Blessed Trinity.” [Carta nº 131, p. 206, segunda mitad de 1951]
J. R. R. Tolkien, autor, en The Letters of J.R.R. Tolkien (2023)
Detalles: “There is the Children of Húrin, the tragic tale of Túrin Turambar and his sister Níniel – of which Túrin is the hero: a figure that might be said (by people who like that sort of thing, though it is not very useful) to be derived from elements in Sigurd the Volsung, Oedipus, and the Finnish Kullervo”. [Carta nº 131, pp. 209-210, segunda mitad de 1951]
J. R. R. Tolkien, autor, en The Letters of J.R.R. Tolkien (2023)
Detalles: “In the primary story of Lúthien and Beren, Lúthien is allowed as an absolute exception to divest herself of ‘immortality’ and become ‘mortal’ – but when Beren is slain by the Wolf-warden of the Gates of Hell, Lúthien obtains a brief respite in which they both return to Middle-earth ‘alive’ – though not mingling with other people: a kind of Orpheus-legend in reverse, but one of Pity not of Inexorability”. [Carta nº 153, pp. 287-288. 22 de septiembre de 1954]
J. R. R. Tolkien, autor, en The Letters of J.R.R. Tolkien (2023)
Detalles: “Actually in the imagination of this story we are now living on a physically round Earth. But the whole ‘legendarium’ contains a transition from a flat world (or at least an οἰκουμένη with borders all about it) to a globe: an inevitable transition, I suppose, to a modern ‘myth-maker’ with a mind subjected to the same ‘appearances’ as ancient men, and partially fed on their myths, but taught that the Earth was round from the earliest years”. [Carta nº 154, p. 293. 25 de septiembre de 1954]
J. R. R. Tolkien, autor, en The Letters of J.R.R. Tolkien (2023)
Detalles: “The particular ‘myth’ which lies behind this tale, and the mood both of Men and Elves at this time, is the Downfall of Númenor: a special variety of the Atlantis tradition. That seems to me so fundamental to ‘mythical history’ – whether it has any kind of basis in real history, pace Saurat and others, is not relevant – that some version of it would have to come in”. [Carta nº 154, p. 293. 25 de septiembre de 1954]
J. R. R. Tolkien, autor, en The Letters of J.R.R. Tolkien (2023)
Detalles: “The legends of Númenorë are only in the background of The Lord of the Rings, though (of course) they were written first, and are only summarised in Appendix A. They are my own use for my own purposes of the Atlantis legend, but not based on special knowledge, but on a special personal concern with this tradition of the culture-bearing men of the Sea, which so profoundly affected the imagination of peoples of Europe with westward-shores”. [Carta nº 227, p. 432. 5 de enero de 1961]
J. R. R. Tolkien, autor, en The Letters of J.R.R. Tolkien (2023)
Detalles: “When C. S. Lewis and I tossed up, and he was to write on space-travel and I on time-travel, I began an abortive book of time-travel of which the end was to be the presence of my hero in the drowning of Atlantis. This was to be called Númenor, the Land in the West”. [Carta nº 257, p. 487. 16 de julio de 1964]
J. R. R. Tolkien, autor, en The Letters of J.R.R. Tolkien (2023)
Detalles: “The progress of the tale [de Númenor] ends in what is far more like the re-establishment of an effective Holy Roman Empire with its seat in Rome than anything that would be devised by a ‘Nordic’.” [Carta nº 294, p. 529. 8 de febrero de 1967]
Entrevista de Denys Gueroult a J. R. R. Tolkien en 1965, fragmento "Atlantis-Númenor"
Enlace a la declaraciónTolkien Estate, “Will there be a film of The Silmarillion?”
Enlace a la declaraciónDetalles: “While we understand the wish of many fans to see a film of The Silmarillion, the Tolkien Estate has no current plans for any such motion picture.”
Hammond, W. G. (1996). “The Critical Response to Tolkien’s Fiction”. Mythlore 21(2), 226-232
Enlace a la críticaDetalles: Sobre la recepción de El Silmarillion en la crítica tras su publicación, véase las pp. 229-230
Noad, C. (1978). “The Silmarillion – a Review by Charles Noad”. Mallorn: The Journal of the Tolkien Society 12, 29-31
Enlace a la críticaCoggan, D. y Holub, C. (16/09/2017), “Why you should read J.R.R. Tolkien’s The Silmarillion”, Entertainment Weekly
Enlace al artículoGardner, J. (23/10/1977), “The World of Tolkien”, The New York Times
Enlace al artículoPereda, R. M. (10/05/1980), “El mito en la literatura, tema de la clausura de las conversaciones sobre mitología”, El País
Enlace al artículoPágina web de la Tolkien Estate
EnlacePágina web de la Tolkien Society
EnlaceFacebook de la Tolkien Society
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EnlacePágina web de la Sociedad Tolkien Española
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Enlace"Regreso a Hobbiton", podcast de la Sociedad Tolkien Española
EnlaceBlog de la Tolkien Society
EnlaceWiki: Tolkien Gateway
EnlaceWiki: The One Wiki to Rule Them All
EnlaceForo: TheOneRing.net
EnlaceForo: El Anillo Único
EnlaceForo: Elfenomeno.com
EnlaceFanFiction: Fanfiction.net
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EnlaceParodia: • Vídeo de Overly Sarcastic Productions para el April Fool’s Day de 2022
EnlaceBirns, N. (2011). “The Stones and the Book: Tolkien, Mesopotamia, and Biblical Mythopoeia” en Fisher, J. (ed.), Tolkien and the Study of His Sources. Critical Essays (45-68). Jefferson NC y Londres: McFarland & Company, Inc.
Bruce, A. (2012). “The Fall of Gondolin and the Fall of Try: Tolkien and Book II of The Aeneid”. Mythlore 30:3/4, 103-115.
Carreño Ramos, S. (2024). “’Esclavo del destino’. El final de Túrin Turambar de J. R. R. Tolkien a la luz de la tragedia griega” en Urbano-Ruiz, M. (ed.), Conventus Granatensis: contribuciones de investigadores noveles Ganimedes a la Filología Clásica (43-53). Rhemata: Tarragona.
Delattre, C. (2007). “Númenor et l’Atlantide: une écriture en héritage”. Revue de littérature comparée 323, 303-322.
Librán Moreno, M. (2015). “La tragedia de Túrin Turambar y Edipo Rey de Sófocles en la obra de J. R. R. Tolkien”. Littera Aperta 2, 69-101.
Pezzini, G. (2022). “(Classical) Narratives of Decline in Tolkien: Renewal, Accommodation, Focalization”. thersites 15/2022, 25-51, DOI: https:/….
Shipley, G. J. (2021). “Afterword: Tolkien’s Response to Classics in Its Wider Context”, en Williams, H. (ed.), Tolkien and the Classical World (379-394). Zurich – Jena, Walking Tree Publishers.
Weiner, J. (2017). “Classical Epic and the Poetics of Modern Fantasy”, en Rogers, B. M. y Stevens, B. E., Classical Traditions in Modern Fantasy (25-46). Oxford: Oxford University Press.
Williams, H. (ed.) (2021). Tolkien and the Classical World. Zúrich – Jena, Walking Tree Publishers.
• Astrup Sundt, P., “The Love Story of Orpheus and Eurydice in Tolkien’s Orphic Middle-earth” (165-189).
• Clare, R., “Greek and Roman Historiographies in Tolkien’s Númenor” (37-68).
• Eilmann, J., “Horror and Fury: J.R.R. Tolkien’s The Children of Húrin and the Aristotelian Theory of Tragedy” (247-268).
• Harrisson, J., “’Escape and Consolation’: Gondor as the Ancient Mediterranean and Rohan as the Germanic World in The Lord of the Rings” (329-348).
• Kleu, M., “Plato’s Atlantis and the Post-Platonic Tradition in Tolkien’s Downfall of Númenor” (193-215).
• Pezzini, G., “The Gods in (Tolkien’s) Epic: Classical Patterns of Divine Interaction” (73-103).
• Stevens, B. E., “Middle-earth as Underworld: From Katabasis to Eucatastrophe” (105-130).
• Williams, H., “Tolkien the Classicist: Scholar and Thinker” (3-36).
Carpenter, H. (1992): J.R.R Tolkien. Una biografía, trad. Carlos Peralta. Barcelona, Minotauro.
Izzo, M. (2019): “Worldbuilding and Mythopoeia in Tolkien and post-Tolkienian Fantasy Literature”, en Fimi, D. y Honegger, T. (eds.), Sub-creating Arda: World-building in J.R.R. Tolkien’s Work, its Precursors and its Legacies (31-55). Zúrich – Jena, Walking Tree Publishers.
Tolkien, J. R. R. (2023). The Letters of J.R.R. Tolkien, ed. Humphrey Carpenter con la colaboración de Christopher Tolkien. Londres: HarperCollins.
Mark R. Kelly, M. R. y the Locus Science Fiction Foundation (2012-2024). “J. R. R. Tolkien”, Science Fiction Awards Database. http://…
Última modificación: SamuelCarrenno-10, April 16, 2024
Creador de la ficha: Samuel Carreño Ramos